1997 - "El Barbero de Argentópolis" |
Ossía
"La redención del pecador"
byFernando Albinarrate. Comic opera. La
Scala de San Telmo.
Cast: Martín Caltabiano / Fernando
Grassi,María Inés Pereyra / Marcela Sotelano,
Ana María Osorio / Ana María Ludueña,
Alejandro Di Nardo / Leonardo Palma, Jorge
Giabbanelli / Norberto Lara, Susana Moreno / Milagros
Seijó.
Keyboards: Guillermo Salgado,
Darío Ingignoli,Cecilia Fracchia y
Verónica Fabi.
Script and original music: Fernando Albinarrate
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Scenery: Osvaldo Ferraro.
Costumes: Estela Caponi (
Realization: María
Mazza, María del Carmen Spíngola,
Cristina Alvarez)
Wigs: Alejandra Farley y Laura Monti
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Coreography: Beatriz Chaiquín
Lights: Horacio Fernández - Eduardo
Cogorno -
Assistant regie: Eduardo Coaci
Choir conductor: Gustavo Fontana - Musical director: Dante Ranieri.
Staging and regie: Eduardo Cogorno.
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2000/2001 - "La solterona y el ladrón" |
By Giancarlo Menotti. La Scala de San Telmo. Grotesque opera with text and music by Gian Carlo Menotti.
Spanish version by Mauricio Yattah, Marta Blanco and Anahí Scharovsky.
Cast: Marta Blanco (mezzosoprano), Anahí Scharovsky / Patricia Douce and Ana María Osorio (sopranos)
and Martín Caltabiano / Fernando Grassi (baritone).
Musical coaching and piano: Alicia Mazzieri / Marina Ruiz.
Musical assistant: Cecilia Fracchia.
Scenery and costumes: Fabián Mecle.
Regie and staging: Eduardo Cogorno.
Sponsored by Fundación Encuentros. Co-sponsors: Instituto Italiano de Cultura Buenos Aires and La Scala de San Telmo.
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2002/2003 - "La Maldolida" |
Divertimento opera in one act and seven scenes by Irma Urteaga. La Scala de San Telmo.
Cast: Patricia Douce / Mónica Moirano (sopranos), Maximiliano Michailovsky / Santiago Vinelli (baritone),
Alejandra Alliende (actress) and Enrique Prémoli (piano).
Libretto by Dr.
Alberto Dimant.
Theatrical structure: Alberto Félix Alberto – Eduardo Cogorno.
Text review: Liliana D'Albyni.
Costumes: Gloria Llopiz.
Make up: Patricia Trolli.
Props kindly porvided by José María Secreto.
Painting: Gustavo Maschi.
Assitant regie: Margarita Hnilo.
Coreography: Beatriz Chaiquín.
Regie and staging: Eduardo Cogorno.
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On a humorous key, this opera tells us the crazy story of a “ménage à trois”. Salomé's ambiguity,
Carlos and María and their erotic-medicinal games of voyeuristic nature will lead us to an unexpected ending . |
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Eduardo Cogorno | Barítono | + (54 11) 4785-4199 | Ciudad de Buenos Aires | Argentina |