Operas
1997 - "El Barbero de Argentópolis"
Ossía "La redención del pecador" byFernando Albinarrate. Comic opera. La Scala de San Telmo.
Cast: Martín Caltabiano / Fernando Grassi,María Inés Pereyra / Marcela Sotelano, Ana María Osorio / Ana María Ludueña, Alejandro Di Nardo / Leonardo Palma, Jorge Giabbanelli / Norberto Lara, Susana Moreno / Milagros Seijó.
Keyboards: Guillermo Salgado, Darío Ingignoli,Cecilia Fracchia y Verónica Fabi.
Script and original music: Fernando Albinarrate - Scenery: Osvaldo Ferraro.
Costumes: Estela Caponi ( Realization: María Mazza, María del Carmen Spíngola, Cristina Alvarez)
Wigs: Alejandra Farley y Laura Monti - Coreography: Beatriz Chaiquín
Lights: Horacio Fernández - Eduardo Cogorno - Assistant regie: Eduardo Coaci
Choir conductor: Gustavo Fontana - Musical director: Dante Ranieri.
Staging and regie: Eduardo Cogorno.
2000/2001 - "La solterona y el ladrón"
By Giancarlo Menotti. La Scala de San Telmo. Grotesque opera with text and music by Gian Carlo Menotti.
Spanish version by Mauricio Yattah, Marta Blanco and Anahí Scharovsky.
Cast: Marta Blanco (mezzosoprano), Anahí Scharovsky / Patricia Douce and Ana María Osorio (sopranos)
and Martín Caltabiano / Fernando Grassi (baritone). Musical coaching and piano: Alicia Mazzieri / Marina Ruiz.
Musical assistant: Cecilia Fracchia. Scenery and costumes: Fabián Mecle. Regie and staging: Eduardo Cogorno.
Sponsored by Fundación Encuentros. Co-sponsors: Instituto Italiano de Cultura Buenos Aires and La Scala de San Telmo.

2002/2003 - "La Maldolida"
Divertimento opera in one act and seven scenes by Irma Urteaga. La Scala de San Telmo.
Cast: Patricia Douce / Mónica Moirano (sopranos), Maximiliano Michailovsky / Santiago Vinelli (baritone),
Alejandra Alliende (actress) and Enrique Prémoli (piano). Libretto by Dr. Alberto Dimant.
Theatrical structure: Alberto Félix AlbertoEduardo Cogorno. Text review: Liliana D'Albyni.
Costumes: Gloria Llopiz. Make up: Patricia Trolli. Props kindly porvided by José María Secreto. Painting: Gustavo Maschi.
Assitant regie: Margarita Hnilo. Coreography: Beatriz Chaiquín. Regie and staging: Eduardo Cogorno.

On a humorous key, this opera tells us the crazy story of a “ménage à trois”. Salomé's ambiguity,
Carlos and María and their erotic-medicinal games of voyeuristic nature will lead us to an unexpected ending
.
Eduardo Cogorno | Barítono | + (54 11) 4942 7098 | info@eduardo-cogorno.com.ar | Ciudad de Buenos Aires | Argentina