Performances

“Likewise, baritone Eduardo Cogorno, who showed a velvety and sweet singing, perfect articualtion and an integral vocal schooling.”
Los Principios, Córdoba, 1974
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“The interpretation of young baritone Eduardo Cogorno shows a special sense of style,
understood as a conception tied to norms suggested by the observation of the author and the epoc.
His register is wonderfully gifted in its full extension and a voice handled with perfect schooling.”
L. M. Hernández. La Prensa. 1979
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“Valuable performance by young baritone Eduardo Cogorno.
This was a program of high musical quality, not often found in young local singers…
Eduardo Cogorno has good singing and acting skills. As for his voice, he has an agreeable timbre with the definite
color of a lyric baritone… As for the development of the program, he displayed excelent knowlede of style and composers. ”
Juan Carlos Montero. Convicción. 1980
-
“High quality in a singing recital
… A program of high artistic level was offered by two excellent performers, mezzosoprano Marta Blanco and
baritone Eduardo Cogorno. Two voices of remarkable characteristics, with noble articulation and warm
and colourful timbre, were elements of vital importance in the definitionn of the pieces.”
Silvano Picchi. La Prensa. 1983

1975 / 2006 - Recitals sponsored by:	Pieces by contemporary Argentine composers:
- Secretaría de Cultura de la Nación - Teatro Colón (Salón Dorado) - Teatro Nacional Cervantes - Radio Nacional - Radio Municipal - Radio Rivadavia - Instituto Goethe - Institución Internacional Wagner - Institución Cultural Argentino-Germana - Fundación San Telmo - Instituto de Cultura Religiosa Superior - Colegio de Escribanos - Casa América - Promúsica - Asociación Cristiana de jóvenes - Teatro Hebraica, Manzana de las Luces - Consulado Gral. de Italia - Asociación Argentino-Austríaca - Alianza Francesa - Casa de la Cultura del Gobierno de la ciudad de Buenos Aires - La Scala de San Telmo - Biblioteca Nacional - Auditorio de la AMIA - Auditorio UCEMA	- First performances of pieces by contemporary Argentine in important cycles: - Teatro Rivera Indarte de Córdoba - Teatro Presidente Alvear - Centro Cultural Recoleta - Fundación San Telmo - Auditorio de Belgrano - Salón Dorado del Teatro Colón
Reviews
“Likewise, baritone Eduardo Cogorno, who showed a velvety and sweet singing, perfect articualtion and an integral vocal schooling.” Los Principios, Córdoba, 1974 - “The interpretation of young baritone Eduardo Cogorno shows a special sense of style, understood as a conception tied to norms suggested by the observation of the author and the epoc. His register is wonderfully gifted in its full extension and a voice handled with perfect schooling.” L. M. Hernández. La Prensa. 1979 - “*Valuable performance by young baritone Eduardo Cogorno. This was a program of high musical quality, not often found in young local singers… Eduardo Cogorno has good singing and acting skills. As for his voice, he has an agreeable timbre with the definite color of a lyric baritone… As for the development of the program, he displayed excelent knowlede of style and composers. ” Juan Carlos Montero. Convicción. 1980 - “High quality in a singing recital* … A program of high artistic level was offered by two excellent performers, mezzosoprano Marta Blanco and baritone Eduardo Cogorno. Two voices of remarkable characteristics, with noble articulation and warm and colourful timbre, were elements of vital importance in the definitionn of the pieces.” Silvano Picchi. La Prensa. 1983
Opera y Operetta - Chamber music - Religious Music - Ensemble "De Romances y Cantares" - Abroad
Eduardo Cogorno \| Barítono \| (+54 11) 4785-4199 \| Ciudad de Buenos Aires \| Argentina